Galleries & Community for creative and Independent authors

 Guest| Group "Guests"| My profile | Registration Welcome Guest    

 News | EventsGallery | Video | Music | Articles | Tutorials | Forum | Links | FAQ | Info | Job's       Members | Join | Submit

Known for his distinctively mischievous sense of humor as well as his incisive reconsideration of photography’s critical possibilities, Larry Johnson combines text, drawing, painting, graphic design, and animation within a photographic framework characterized by visual clarity, economy, and sharp focus. In Warholian fashion, Johnson often imbues his work with queer desire and dry melancholy as he mines lowbrow registers of American culture, resituating material drawn from such sources as People magazine, pulp fiction, celebrity auto-biographies, Hollywood histories, and advertisements. Sixty photographs made since 1982 feature in the Los Angeles–based artist’s first major survey exhibition in the United States, which is accompanied by a catalogue with essays by curator Russell Ferguson, Lee Edelman, and Esther Leslie, along with a reprint of a 1990 interview by Davi ... Read more »

Category: Art reviews | Views: 535 | Added by: Liberman | Date: 08.08.2009 | Rating: 0.0/0 | Comments (0)

Organized by LACMA and the Museum of Fine Arts, Houston, “Your Bright Future: 12 Contemporary Artists from Korea” features installations, sculptures, videos, computer animations, and Web-based work by artists born in South Korea between 1957 and 1972 and raised during a period of sustained political upheaval. Intended to redress what cocurator Lynn Zelevansky calls Korea’s “virtual absence from the Western imagination,” the show is accompanied by a catalogue with essays by Zelevansky, cocurator Christine Starkman, and art historian Joan Kee, as well as interviews with the artists and an informative time line of Korean art and politics from 1945 to the present.

Category: Art reviews | Views: 486 | Added by: Liberman | Date: 08.08.2009 | Rating: 0.0/0 | Comments (0)

A leading member of the Czech avant-garde in the 1920s and ’30s, cofounder of the Czech Photographic Society, and an influential teacher, Jaromír Funke (1896–1945) produced abstract still lifes and images of modern and classical architecture whose provocative play of shadows and forms invites comparisons to the work of Atget, Man Ray, Morandi, and Sheeler. Rather than highlighting these affinities, however, the first extensive show of Funke’s photographs outside Europe displays his lyric imagery alongside that of twenty-two of his compatriots, including Josef Sudek and Eugen Wiškovský. Some seventy works will contextualize this lesser known movement of self-taught photographers within the interwar explosion of avant-garde art.

Category: Art reviews | Views: 440 | Added by: Liberman | Date: 08.08.2009 | Rating: 0.0/0 | Comments (0)

Amy Blakemore’s photographs—of discarded shoes, gathering clouds, a child in a crowd—proffer open-ended narratives. That dreamlike opacity is augmented by her use of low-tech Diana cameras, which produce pictures with softly focused edges and blurred resolutions. The MFAH’s selection of thirty-six works from the past two decades—the artist’s first midcareer survey—tracks Blakemore’s transition from black-and-white to color, and considers how her casual snapshot aesthetic is married to a conceptual engagement with photography’s capacity to distort memory. The photographs are atmospheric in several senses: They capture a mood but also depict a hazy quality of light that feels related to the distinctively viscous air of Houston, where Blakemore has lived since 1985. A catalogue featuring essays by Alison de Lima Greene, Whitney curator Chrissie Iles, and others accomp ... Read more »

Category: Art reviews | Views: 464 | Added by: Liberman | Date: 08.08.2009 | Rating: 0.0/0 | Comments (0)

Pneumatic dreams hover over the work of Tomás Saraceno, just as they wafted through the hot-air balloons of the frères Montgolfier or the late-1960s inflatable architecture of the Utopie group. But if it seems that all we got from such techno-futurism was puffy IKEA chairs, Saraceno won’t let the bubble burst. His airborne structures and blow-up sculptures are actually prototypes for floating gardens or houses. Such constructions—along with photographs, drawings, and a new installation for the Walker’s terrace—are the focus of “Lighter than Air,” the artist's second solo US museum show (the first being at the Berkeley Art Museum/Pacific Film Archive in 2007). Other pieces in the exhibition, such as 59 steps to be on air by sun power/Do it yourself, 2003, a set of simple instructions for making a solar-powered balloon, are more Mad Max than Bucky Fuller—rerouting utop ... Read more »

Category: Art reviews | Views: 504 | Added by: Liberman | Date: 08.08.2009 | Rating: 0.0/0 | Comments (0)

Central to the modernist project has been a methodical questioning of our basic assumptions about the nature of the universe, which this show positions specifically in relation to contemporaneous scientific research on phenomena such as the big bang and black holes. In turn, fundamental existential and metaphysical questions—What is space? What is time?—are reposed by artists and philosophers alike, opening up radically new perspectives on knowledge and experience. Unusual in its historical breadth, with more than eighty works from 1933 to the present, the show is accompanied by an equally expansive catalogue: Diverse contributors include curator Peter Eleey, philosophers Peter Osborne and Ina Blom, and neurologist Olaf Blanke.

Category: Art reviews | Views: 391 | Added by: Liberman | Date: 08.08.2009 | Rating: 0.0/0 | Comments (0)

Views of “Not New Work: Vincent Fecteau Selects from the Collection,” 2009. Left (from left to right): Eric Rudd, Night Fairy, 1974; Max Ernst, Bauta, 1964; Ron Nagle, Untitled, 1982; Peter Young, Untitled, 1968; Wayne Thiebaud, Untitled (Two Ice Cream Scoops on Plate), ca. 1985. Right: Robert Overby, Hall painting, first floor; H. C. Westermann, Secrets, 1964; Charles Howard, Banner, 1934; Christopher Wilmarth, New, 1968; Ralph Humphrey, Untitled, 1972. (Photos: Ian Reeves)

Vincent Fecteau was perhaps an ideal choice for an “artist selects” exhibition: His own sculptures are potent, peculiarly honed works that take months to produce, and the twenty-three objects he culled from the San Francisco Museum of Modern Art’s storage facilities reveal as much about the quirks of a collection as they do about the vision of an artist set free within it. Pieces by the likes of Judy Chicago, Ron Nagle, and Tom of Finland will be on view through November 8 at the museum under the fitting title ... Read more »

Category: Other | Views: 455 | Added by: Liberman | Date: 08.08.2009 | Rating: 0.0/0 | Comments (0)

Left: Mary Ellen Carroll moderating "NOZONE: Houston’s Mayoral Forum on Land Use" at prototype180—the table, Contemporary Arts Museum Houston, July 9, 2009. Right: Mary Ellen Carroll and KHOU-TV reporter David Fehling at prototype180, Sharpstown, Houston. (Photos: Kenny Trice)

Mary Ellen Carroll is a Houston- and New York–based conceptual artist who teaches in the architecture program at Rice University. Here, she discusses prototype 180, a work she is creating in collaboration with the Rice University Building Institute, and a recent mayoral forum on land use in Houston at the Contemporary Arts Museum Houston that she organized and moderated. Her forthcoming monograph is being published by SteidlMACK and will be available this fall.

HOUSTON IS THE ONLY METROPOLITAN AREA in the United States without a formal land-use zoning code. The no-zoning policy creates conditions, both physical and atmospheric, for extending free enterprise over the city, the energy capital of the world. ... Read more »

Category: Other | Views: 735 | Added by: Liberman | Date: 08.08.2009 | Rating: 0.0/0 | Comments (0)

Left: Jessica Jackson Hutchins, Velvet Hand, 2009, chair, vase, velvet pants, 33 x 21 x 20". Right: Jessica Jackson Hutchins, Denim Vase, 2009, ceramic, denim, 9 x 7 x 5".

This summer, the Portland, Oregon– and New York–based sculptor Jessica Jackson Hutchins is participating in several group exhibitions, including “Dirt on Delight: Impulses That Form Clay,” which originated at the Institute of Contemporary Art, Philadelphia and is at the Walker Art Center in Minneapolis until November 29, and “Bent,” a three-person show at the Oregon College of Art and Craft on view until August 23. Here, Hutchins talks about her practice.

I’VE BEEN MAKING A LOT OF WORK FROM MY FURNITURE LATELY, just pulling it out of my house. Two sculptures in “Bent” are created from chairs that were in my kitchen. They were worn out, and their indentations readily invited the weight of ceramic. For Velvet Hand, I sewed some old velvet pants together to hold a pot that hovers over the indentation of the seat ... Read more »

Category: Other | Views: 714 | Added by: Liberman | Date: 08.08.2009 | Rating: 0.0/0 | Comments (0)

Left: Cindy Workman, No. 42, 2000, Lambda print, Plexiglas, mounting hardware, 60 3/4 x 48 1/2". Right: Cindy Workman, Large Woman 17, 2006, digital print, Plexiglas, frame, 56 3/4 x 41 3/4".

For the past two decades, multimedia artist Cindy Workman has created collage-based art, incorporating images from such incongruous sources as children’s drawings, vintage pornography, and mathematical diagrams. Her first United States retrospective is on view through August 14 at Lennon, Weinberg in New York.

THE RETROSPECTIVE WAS CURATED to highlight the central theme of my work: women. From early on, I’ve had a keen interest in "woman as object." Although I wouldn’t say that this has disappeared in the newer pieces, my last show included individual portraits of women who weren’t seen totally as objects. Narrative has also crept into the work––not storytelling per se, but rather a linear situation in which I interrogate gender, specifically themes such as what it means to be a woman, the ... Read more »

Category: Other | Views: 733 | Added by: Liberman | Date: 08.08.2009 | Rating: 0.0/0 | Comments (0)

« 1 2 3 4 5 6 ... 13 14 »
Login form
our poll
What would you like to see on this site in the near future?
Total votes: 317
Total online: 1
Guests: 1
Users: 0
Hosted by uCoz